Stolen Biden U-Haul truck recovered

Stolen Biden U-Haul Truck RecoveredVice President Biden’s Missing U-Haul Gets Hauled In By Police

via Yahoo! News – Latest News & Headlines http://news.yahoo.com/stolen-biden-u-haul-truck-recovered-173011966.html

39th Telluride Film Fest Lineup Announces Haneke, Baumbach, Hyde Park On Hudson, More

The Telluride Film Festival offers a bright spotlight, showcasing a small selection of films over Labor Day weekend just as summer movies give way to a more serious season of cinema. Later this year, moviegoers will be talking about Bill Murray as Franklin Delano Roosevelt, Marion Cotillard as a woman who loses her legs to a killer whale and even a small town story starring Zac Efron as an aspiring NASCAR racer and Dennis Quaid as his father, an Iowa farmer. Those three films – Roger Michell’s Hyde Park on Hudson, Jacques Audiard‘s Rust and Bone and Ramin Bahrani’s At Any Price – lead a roster of acclaimed and anticipated new movies that will screen at this weekend’s tony Telluride Film Festival. 

Telluride’s annual lineup is famously revealed just as attendees arrive in the Colorado mountain town for the four-day event. Even so Gary Meyer, one of the heads of the festival, privately previewed the lineup for a few journalists earlier this week and then swore them to secrecy. Telluride attendees consider movies sacred. Spoilers are frowned upon.

“So, what do you think?” Meyer asked as he detailed the lineup for the 39th annual festival. “It was pretty much down to the wire,” he added about this year’s roster. He also teased that he and festival directors Tom Luddy and Julie Huntsinger have a surprise screening up their sleeves. It will screen in a still to be named slot some time between tomorrow and Labor Day.

So now it can be revealed that even as it screens in the Venice Fest this weekend the anticipated American indie At Any Price will be unveiled in Telluride before heading to the Toronto International Film Festival next week. Filmmaker Ramin Bahrani has created a family drama that also explores globalization and Big Agriculture. In addition to Quaid and Efron, the film stars Heather Graham and Kim Dickens. Bahrani is expected to fly in from Venice in time for this weekend’s showings of the film here in Colorado.

Also making the trek from Italy to Telluride will be French filmmaker Xavier Giannoli. His latest is described by the Telluride festival as a Kafkaesque tale. In Gianoli’s latest, Superstar, top name French actor Kad Merad plays the everyman. One day he wakes and heads to work only to discover that he’s famous. He has no idea why people are asking for his autograph and snapping his photo with their mobile  phones while he rides to work on the Paris Metro. The comedy also stars Cecile de France who gained domestic attention for her turn in last year’s Dardenne Brothers drama, The Kid With A Bike.

Roger Michell’s Hyde Park on Hudson was a safe bet for Telluride lineup prognosticators. It stars local Laura Linney, a festival fixture. In the film she stars alongside Bill Murray, appearing as FDR’s younger, distant cousin, Margaret Suckley. Linney’s character guides guests – in this case the King and Queen of England in 1939 – at Roosevelt’s residence in rural New York State and also falls for FDR. 

The new film will next head to the Toronto Film Festival. Sally Potter’s Ginger and Rosa will make the same journey. It stars Elle Fanning and Alice Englert as best friends in the 60s growing up and experiencing the anxieties and excitement of the era. The cast is rounded out by Timothy Spall, Oliver Platt, Annette Bening, Alessandro Nivola and Christina Hendricks. Also on tap are Noah Baumbach’s Frances Ha starring Greta Gerwig and Michael Winterbottom’s Everyday with Shirley Henderson. Both will also go from Telluride to the Toronto fest next week.

Telluride will pay tribute to a pair of European actors this weekend. Marion Cotillard will be honored and appear here alongside her latest, Jacques Audiard’s Rust and Bone from this year’s Cannes Film Festival. Also acclaimed at the French fest this year was Mads Mikkelsen. He turned heads for his starring role in Thomas Vinterberg’s The Hunt and has also been on the fest circuit in Nikolaj Arcel’s A Royal Affair. Both films will screen in Telluride this weekend as festival salutes the Danish leading man.

About three dozen new feature films will screen at the Telluride Film Festival this weekend, complemented by classic and retrospective entries, as well as short films, film oddities and even some Looney Tunes cartoons in honor of the 100th anniversary of director Chuck Jones’ birth.
 
The 39th Telluride Film Festival Premieres Lineup:

The Act of Killing (Joshua Oppenheimer, Denmark, 2012) 

Amour (Michael Haneke, Austria, 2012)


At Any Price (Ramin Bahrani, US, 2012)


The Attack (Ziad Doueiri, Lebanon/France, 2012)

Barbara (Christian Petzold, Germany, 2012)


Breaking the Frame (Marielle Nitoslawska, Canada, 2012)

Carriere 250 Meters (Juan Carlos Rulfo, Mexico, 2012)

Celluloid Man: A Film on P.K. Nair (Shivendra Singh Dungarpur, India, 2012)

Cinema Jenin (Marcus Vetter, Germany/Israel/Occupied Palestinian Territory, 2012)

Doueiri, Lebanon/France, 2012)

The Central Park Five (Ken Burns, Sarah Burns, David McMahon, US, 2012)


Everyday (Michael Winterbottom, UK, 2012)


Frances Ha (Baumbach, US, 2012)


Final Cut: Ladies and Gentlemen (Gyorgy Palfi, Hungary, 2012)

The Gatekeepers (Dror Moreh, Israel, 2012)


Ginger and Rosa (d. Sally Potter, England., 2012)


The Hunt (Thomas Vinterberg, Denmark, 2012)


Hyde Park on Hudson (Roger Mitchell, US, 2012)


In Search of Emak Bakia (Oskar Alegria, Spain, 2012)

Jonathan Miller (David Thompson, UK, 2012)

Journal de France (Raymond Depardon and Claudine Nougaret, France, 2012)

The Iceman (Ariel Vroman, US, 2012)

Love, Marilyn (Liz Garbus, US, 2012)


Me and Me Dad (Katrine Boorman, UK, 2012)

Midnight’s Children (Deepa Mehta, Canada/Sri-Lanka, 2012)

Mikis Theodorakis, Composer (Klaus Salge and Asteris Kutulas, Germany, 2012)

No (Pablo Larrain, Chile, 2012)

On Borrowed Time (David Bradbury, Australia, 2012)

Paradise: Love (Ulrich Seidl, Austria, 2012) 


Piazza Fontana (Marco Tullio Giordana, Italy, 2012)

Pilgrim Hill (Gerard Barrett, Ireland, 2012)

A Royal Affair (Nikolaj Arcel, Denmark, 2012)

Rust and Bone (Jacques Audiard, France, 2012)


The Sapphires (Wayne Blair, Australia, 2012)


Stories We Tell (Sarah Polley, Canada, 2012)


Superstar (Xavier Giannoli, France, 2012)


Wadjda (Haifaa Al Mansour, Saudi Arabia, 2012)

What is this Film Called Love? (Mark Cousins, Ireland/Mexico, 2012)



The Telluride Film Festival takes place August 31-September 3.

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via Movieline http://movieline.com/2012/08/30/telluride-film-festival-2012-films/

People merge supernatural and scientific beliefs when reasoning with the unknown, study shows

A new psychology study finds adults are more likely than children to find supernatural explanations for existential questions.

via ScienceDaily: Latest Science News http://www.sciencedaily.com/releases/2012/08/120830135317.htm?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+sciencedaily+%28ScienceDaily%3A+Latest+Science+News%29

How Is the Television Broadcast of the R.N.C. Faring? A Review of G.O.P. Production Values

via The Latest from VanityFair.com http://www.vanityfair.com/online/daily/2012/08/review-tv-broadcast-republican-convention

Lose Yourself in a Ton of New Press Materials for Downton Abbey

Interviews, pictures, and a heaping helpful of Shirley MacLaine!

Read more posts by Eliot Glazer

Filed Under:
clickables
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via Vulture http://www.vulture.com/2012/08/new-press-materials-for-downton-abbey.html

The First Class War Attack Ad

In a world of turmoil and constant change, there’s a strange comfort in knowing our political ads stay the same:

“The Oldway and the New” is a 1912 campaign film put out by the
Democratic National Committee on behalf of candidate Woodrow Wilson.
Housed at the Library of Congress, it is the earliest known example of a
political party or candidate using the medium of motion picture to
communicate with voters.

And the subject? Massive concentrations of wealth in the private sector:

This film portrays Republican William Howard Taft as a mouthpiece for
special interest groups and Woodrow Wilson as a champion of working
class citizens aspiring to the ranks of business owners. … In 1912, large trusts and
corporations were amassing power and exerting their influence over
Americans’ private lives. This made financial regulation a major
platform issue for the candidate. Likewise, financial regulation remains a topic of political debate to this day.
“The over-the-top comic approach of the film suggests that the
success of those who already have wealth will somehow trickle down
through better wages for workers is a joke,” [Trygve Throntveit, US historian and Wilson scholar] said.

via The Daily Dish | By Andrew Sullivan http://andrewsullivan.thedailybeast.com/2012/08/the-first-attack-ad.html?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+andrewsullivan%2FrApM+%28The+Daily+Dish%29

In Defense Of Sitting

If there are two characteristics that define me, they are my susceptibility to memes, and my fear of death. So when a meme arrives telling me my life is in danger, I pay attention.

Over the last few years, the media has come alive with reports to the effect that sitting kills you. You may have seen the stories–in the Times, in HuffPo, on NPR. The gist of the argument is that a life whiled away before a desk wreaks a havoc on your health so great that even regular exercise cannot undo it. If you sit too much, no amount of penance at the bench press will save you. What the summer of 1975 did for sharks, what the fall of 2001 did for anthrax, the last few years have been doing for that seemingly innocuous object: the chair.

As study after study and health pundit after health pundit weighed in, I began to look at my chair in a new light. I had always liked my chair. It’s an elegant black swiveling thing whose seat and back are made out of a rubbery mesh that yields pleasingly when you sit on it. Its black leather arm rests raise and lower, turn inward and out. Passed on from my family, it always seemed a better chair than I deserved, actually–a chair I needed to work hard to earn. Without being entirely certain what this meant, I had been told it was “ergonomic,” an attribute I repeated to other admirers of my chair.

What the summer of 1975 did for sharks, what the fall of 2001 did for anthrax, the last few years have been doing for that seemingly innocuous object: the chair.

All of a sudden, though, the chair was a spidery, dangerous creature lurking beneath my desk. It was one of those seemingly banal objects, like Fitzgerald’s cut-glass bowl, that somehow contained a hex. My sedentary life as a journalist, I was told, was a death sentence. I was getting the chair.

There was a solution, though. A companion to the chair-of-death meme was another meme, one offering hope. If the new axiom was that sitting kills you, then at least there was a corollary: that standing saves you. That was how I first learned about the “standing desk.” A number of other Fast Company contributors became evangelists for the idea, in fact, and in seeking to set up a standing desk of my own (in the end, my dresser wound up being just the right height), I consulted helpful articles by Gina Trapani and Farhad Manjoo. I learned that Philip Roth writes while standing, as did Ernest Hemingway before him. Not only would I be fending off the Grim Reaper, I would also be joining a tradition of Great Standing Writers. I set up my computer atop my dresser, and embarked upon a new adventure in productivity and health.

I lasted about a week.

Because the first thing I noticed about my standing desk was that it wasn’t particularly comfortable. It was also the second thing I noticed, and the third thing I noticed. In fact, I spent so much time noticing how much I didn’t want to be standing, that there was little RAM left in my brain for the work ostensibly at hand–writing. For some tasks–a phone call here or there, a bit of email maintenance or record-keeping work–I was able to stand and deliver the work. But when it came time to really mull something, to marshal all my cognitive resources into a given story, all I wanted to do was take a seat.

So I returned to my chair, and I’m sitting there still. (Leaning back at the moment, in fact, with my feet up on my desk. Maybe this is what “ergonomic” means?) To those of you who haven’t tried sitting lately, I recommend it wholeheartedly. In fact, I find it to be a very natural position in which to work. If sitting is a wrong, I don’t want to be right; call me an unrepentant sitter.

The first thing I noticed about my standing desk was that it wasn’t particularly comfortable. It was also the second thing I noticed, and the third thing I noticed.

I presented my controversial thesis–that sitting is comfortable, and that you should do it–to Dr. Hidde P. Van der Ploeg, a senior researcher at the Department of Public and Occupational Health at the VU University Medical Center in Amsterdam (you’ll find his name atop one of those studies warning of the dangers of sitting). He was surprisingly reasonable. “I fully agree that sitting is darn comfortable,” the professor wrote me. “The problem is that many of us are doing more of it than is good for our health.” He doesn’t advocate standing to the exclusion of sitting–“standing all day is not recommended either and certainly not necessary for better health”–but rather a judicious mix of the two. Some people purchase unwieldy and expensive sitting-standing desks for this purpose, but I preferred another suggestion of Dr. Van der Ploeg’s: he mentioned friends from the IT sector who conduct standing meetings at work. “They find them much more efficient,” he said.

Next I called up Peter Galbert, a member of that now-maligned profession: chair-making. How did he sleep at night, I asked, knowing that he created these murderous devices?

“I know plenty’s been said about them being bad for your overall health,” he said, “but about them killing you? Gosh, that’s a little bit of hyperbole, I’d say.”

But it was in the Times, I told him.

“Right now I’m sitting,” he said. “Are you sitting?”

“I am,” I admitted.

“Shocking,” he said. Galbert, who makes custom chairs from wood, launched into his philosophy of making and using chairs. “I’m sitting in a porch swing right now, but I’m moving–I’m pushing my legs, I’m moving around. I’m a big advocate of moving and sitting.” The real culprit, he said, wasn’t so much sitting, as sitting still. Try sitting in one of his rocking chairs, he said, and you’ll always be shifting, almost imperceptibly, but enough to rotate rest and exertion among different muscle groups. He referred me, further, to the innovative work of the designer Peter Opsvik, whose unusual chair designs often foster a sitting stance similar to a standing one–with the pelvis tilted forward and the spine therefore in a more natural, stacked position.

My daring, controversial thesis–that maybe sitting was kind of okay–was seeming less and less daring and controversial. A standing advocate allowed that sitting was permissible, at least in measured doses, and a chairmaker had shown how sitting could be much like standing, if done properly.

If sitting wasn’t living on the edge–if clinging to my chair wasn’t a defiant act, like Chistopher Hitchens refusing to throw away his cigarettes–then what was? My mind flashed to a memory of a college professor, the poet J.D. McClatchy, reporting that he did all his reading and writing in the most zeitgeist-flouting posture of all–lying down in bed. I wrote him to ask if my memory served.

He confirmed that his workplace was, indeed, the bed. “I have never, in my 67 years, been able to find a comfortable chair” in which to read and write, he wrote (presumably from bed).

But what about Hemingway, I asked? Major writer: he must have been on to something, after all. “Hemingway and others used standing desks,” McClatchy conceded. “I always assumed it was because they had bad hemorrhoids.”

[Image: Flickr user LOLren]

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via Fast Company http://www.fastcompany.com/3000635/defense-sitting?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+fastcompany%2Fheadlines+%28Fast+Company%29

‘The Tonight Show’ experiences dark days

The NBC program starring Jay Leno suffers a ratings slide and layoffs amid instability in the TV business — and after network missteps. And the stakes are rising.

As the No. 1 late-night show for most of the past half-century, “The Tonight Show” has been vital to NBC’s fortunes. It was the network’s most profitable entertainment program during its 1990s peak, kicking an estimated $100 million to the bottom line annually.

via L.A. Times – Entertainment News http://www.latimes.com/entertainment/news/la-et-st-tonight-show-troubles-20120827,0,7033118.story?track=rss&utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+latimes%2Fentertainment+%28Entertainment+News%29

The Alternate Tampa of Ron Paul’s Army

IMG_9356

TREASURE ISLAND, Fla. — I spent Saturday at one Ron Paul party and Sunday at another, putting me in airborne contact with at least 10,000 followers of the Modern Thomas Jefferson. One question I kept asking: Are you guys 100 percent sure that Mitt Romney will be the Republican nominee? Nobody said yes.

This is what outsiders don’t understand: Oodles of Paul supporters believe that the delegate switch-ups
 literally cost them a chance at the nomination. James DiPasquale, a Florida activist who watched some friends try and fail to become delegates, argues that Paul could win if the contest stretched on for a few ballots. (There has been no multi-ballot convention for decades.) “If every delegate was allowed to vote his conscience,” he asks, “how many of them really would want to vote for Romney? It would be a landslide for Ron Paul.” To emphasize the point, he walks around with a life-size stand-up poster of 
Ronald Reagan, to which he’s attached a quote from the Republican demigod, praising Paul.

Read it all here.

(Photo by David Weigel.)

via Slate Blogs http://www.slate.com/blogs/weigel/2012/08/27/ron_paul_in_tampa_not_giving_in_to_romney.html

Japanese Anime Director Arrested on Suspicion of Massacre Threats Online


Masaki Kitamura, who has worked on anime series such as “Yu-Gi-Oh!,” is suspected of a bomb threat against a Tokyo-New York flight and threats of an attack in Osaka.

read more

via Hollywood Reporter http://www.hollywoodreporter.com/news/japan-anime-director-arrested-online-threats-massacre-365515