{"id":1436,"date":"2012-10-01T01:02:28","date_gmt":"2012-10-01T05:02:28","guid":{"rendered":"http:\/\/gabrielsnyder.com\/notes\/?p=1436"},"modified":"2012-10-01T01:02:28","modified_gmt":"2012-10-01T05:02:28","slug":"connie-bruck-billionaire-ron-burkles-quest-to-conquer-hollywood","status":"publish","type":"post","link":"http:\/\/gabrielsnyder.com\/notes\/2012\/10\/01\/connie-bruck-billionaire-ron-burkles-quest-to-conquer-hollywood\/","title":{"rendered":"Connie Bruck: Billionaire Ron Burkle\u00e2\u20ac\u2122s quest to conquer Hollywood."},"content":{"rendered":"<p>Inside the towering iron gates of Green Acres, a Beverly Hills estate built in the nineteen-twenties by the silent-film actor Harold Lloyd, a narrow road climbs through eight acres of lawns and gardens to a mansion modelled on the Villa Palmieri, the Florentine palazzo where Boccaccio set the\u00c2\u00a0.\u00c2\u00a0.\u00c2\u00a0. (Subscription required.)<\/p>\n<p>via The New Yorker <a href=\"http:\/\/www.newyorker.com\/reporting\/2012\/10\/08\/121008fa_fact_bruck\">http:\/\/www.newyorker.com\/reporting\/2012\/10\/08\/121008fa_fact_bruck<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Inside the towering iron gates of Green Acres, a Beverly Hills estate built in the nineteen-twenties by the silent-film actor Harold Lloyd, a narrow road climbs through eight acres of lawns and gardens to a mansion modelled on the Villa Palmieri, the Florentine palazzo where Boccaccio set the\u00c2\u00a0.\u00c2\u00a0.\u00c2\u00a0. (Subscription required.) via The New Yorker http:\/\/www.newyorker.com\/reporting\/2012\/10\/08\/121008fa_fact_bruck<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[7],"tags":[663,6,250],"class_list":["post-1436","post","type-post","status-publish","format-standard","hentry","category-google-reader","tag-connie-bruck","tag-ifttt","tag-the-new-yorker"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p2skW4-na","jetpack_likes_enabled":true,"_links":{"self":[{"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/posts\/1436","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/comments?post=1436"}],"version-history":[{"count":0,"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/posts\/1436\/revisions"}],"wp:attachment":[{"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/media?parent=1436"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/categories?post=1436"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/tags?post=1436"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}