{"id":1679,"date":"2012-11-19T08:06:15","date_gmt":"2012-11-19T13:06:15","guid":{"rendered":"http:\/\/gabrielsnyder.com\/notes\/?p=1679"},"modified":"2012-11-19T08:06:16","modified_gmt":"2012-11-19T13:06:16","slug":"tad-friend-bryan-cranstons-old-stomping-grounds","status":"publish","type":"post","link":"http:\/\/gabrielsnyder.com\/notes\/2012\/11\/19\/tad-friend-bryan-cranstons-old-stomping-grounds\/","title":{"rendered":"Tad Friend: Bryan Cranston\u00e2\u20ac\u2122s old stomping grounds."},"content":{"rendered":"<p>The Upper West Side, shrine to the pricey pillow sham, is no longer much of a frontier. But, on a recent sparkling Tuesday, Bryan Cranston revisited the proving grounds that\u00e2\u20ac\u201dwhen he arrived here as a callow redhead, in 1983, to star in the ABC soap opera \u00e2\u20ac\u0153Loving\u00c2\u00a0.\u00c2\u00a0.\u00c2\u00a0.<\/p>\n<p>via The New Yorker <a href=\"http:\/\/www.newyorker.com\/talk\/2012\/11\/26\/121126ta_talk_friend\">http:\/\/www.newyorker.com\/talk\/2012\/11\/26\/121126ta_talk_friend<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Upper West Side, shrine to the pricey pillow sham, is no longer much of a frontier. But, on a recent sparkling Tuesday, Bryan Cranston revisited the proving grounds that\u00e2\u20ac\u201dwhen he arrived here as a callow redhead, in 1983, to star in the ABC soap opera \u00e2\u20ac\u0153Loving\u00c2\u00a0.\u00c2\u00a0.\u00c2\u00a0. via The New Yorker http:\/\/www.newyorker.com\/talk\/2012\/11\/26\/121126ta_talk_friend<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[7],"tags":[6,763,250],"class_list":["post-1679","post","type-post","status-publish","format-standard","hentry","category-google-reader","tag-ifttt","tag-tad-friend","tag-the-new-yorker"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p2skW4-r5","jetpack_likes_enabled":true,"_links":{"self":[{"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/posts\/1679","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/comments?post=1679"}],"version-history":[{"count":0,"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/posts\/1679\/revisions"}],"wp:attachment":[{"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/media?parent=1679"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/categories?post=1679"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/tags?post=1679"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}