{"id":1984,"date":"2013-02-04T00:31:45","date_gmt":"2013-02-04T05:31:45","guid":{"rendered":"http:\/\/gabrielsnyder.com\/notes\/?p=1984"},"modified":"2013-02-04T00:31:45","modified_gmt":"2013-02-04T05:31:45","slug":"david-denby-is-steven-soderbergh-really-retiring","status":"publish","type":"post","link":"http:\/\/gabrielsnyder.com\/notes\/2013\/02\/04\/david-denby-is-steven-soderbergh-really-retiring\/","title":{"rendered":"David Denby: Is Steven Soderbergh really retiring?"},"content":{"rendered":"<p>Steven Soderbergh, who has made twenty-six feature films in twenty-four years, has just turned fifty, and he says that, after his new film, \u00e2\u20ac\u0153Side Effects,\u00e2\u20ac\u009d he wants to leave movies behind in order, mostly, to paint. (He has completed another film, \u00e2\u20ac\u0153Behind the Candelabra,&amp;#8221\u00c2\u00a0.\u00c2\u00a0.\u00c2\u00a0. (Subscription required.)<\/p>\n<p>via The New Yorker <a href=\"http:\/\/www.newyorker.com\/arts\/critics\/cinema\/2013\/02\/11\/130211crci_cinema_denby\">http:\/\/www.newyorker.com\/arts\/critics\/cinema\/2013\/02\/11\/130211crci_cinema_denby<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Steven Soderbergh, who has made twenty-six feature films in twenty-four years, has just turned fifty, and he says that, after his new film, \u00e2\u20ac\u0153Side Effects,\u00e2\u20ac\u009d he wants to leave movies behind in order, mostly, to paint. (He has completed another film, \u00e2\u20ac\u0153Behind the Candelabra,&amp;#8221\u00c2\u00a0.\u00c2\u00a0.\u00c2\u00a0. (Subscription required.) via The New Yorker http:\/\/www.newyorker.com\/arts\/critics\/cinema\/2013\/02\/11\/130211crci_cinema_denby<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[7],"tags":[842,6,250],"class_list":["post-1984","post","type-post","status-publish","format-standard","hentry","category-google-reader","tag-david-denby","tag-ifttt","tag-the-new-yorker"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p2skW4-w0","jetpack_likes_enabled":true,"_links":{"self":[{"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/posts\/1984","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/comments?post=1984"}],"version-history":[{"count":0,"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/posts\/1984\/revisions"}],"wp:attachment":[{"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/media?parent=1984"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/categories?post=1984"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/tags?post=1984"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}