{"id":808,"date":"2012-07-24T08:16:01","date_gmt":"2012-07-24T12:16:01","guid":{"rendered":"http:\/\/gabrielsnyder.com\/notes\/?p=808"},"modified":"2012-07-24T08:16:02","modified_gmt":"2012-07-24T12:16:02","slug":"in-conversation-martin-amis","status":"publish","type":"post","link":"http:\/\/gabrielsnyder.com\/notes\/2012\/07\/24\/in-conversation-martin-amis\/","title":{"rendered":"In Conversation: Martin Amis"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/images.nymag.com\/arts\/books\/features\/amis120730_1_560.jpg?w=525\">From his new home base  in Brooklyn, the British novelist and firebrand talks to David Wallace-Wells about sex, porn, rioting, the difference between London and New York, and the dwindling fortunes of postmodernist literature and American empire.<\/p>\n<p>via nymag.com: Arts and Culture <a href=\"http:\/\/nymag.com\/arts\/books\/features\/martin-amis-2012-7\/\">http:\/\/nymag.com\/arts\/books\/features\/martin-amis-2012-7\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>From his new home base in Brooklyn, the British novelist and firebrand talks to David Wallace-Wells about sex, porn, rioting, the difference between London and New York, and the dwindling fortunes of postmodernist literature and American empire. via nymag.com: Arts and Culture http:\/\/nymag.com\/arts\/books\/features\/martin-amis-2012-7\/<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[7],"tags":[367,6,368],"class_list":["post-808","post","type-post","status-publish","format-standard","hentry","category-google-reader","tag-hash0xd9acfe8","tag-ifttt","tag-nymag-com-arts-and-culture"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p2skW4-d2","jetpack_likes_enabled":true,"_links":{"self":[{"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/posts\/808","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/comments?post=808"}],"version-history":[{"count":0,"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/posts\/808\/revisions"}],"wp:attachment":[{"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/media?parent=808"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/categories?post=808"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/gabrielsnyder.com\/notes\/wp-json\/wp\/v2\/tags?post=808"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}